This paper seeks to explore how women map and move through graphic space, in three short graphic narratives about the Partition of the Indian subcontinent in 1947. Partition was a deeply gendered experience. For many women it entailed moving out of the home and into workspaces; while for some, their bodies became sites of violence, and for the scripting of new national identities and borders. Women remember and imagine Partition through multiple lenses, and the form itself of graphic narrative enables new ways of imagining space – contributing depth and dimension to how Partition is imagined and represented. This form also opens up new "geographies of reading" - the reader is given a unique opportunity to view time and space in conjunction, through the visual plotting, spacing and movement of time through the panels of a graphic narrative. This paper explores how these narrators and the women in these stories, imagine and navigate graphic space, and grapple with the confines of borders, nations, texts and form – using and innovating with the form to subvert dominant historiography.
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